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Mixing & Mastering

Why only to get your stems either mixed or just master, when you can get both together in affordable price. From adding markers to restoration and fade, gain staging to EQ & Compression, Side chaining to adding FX, Pitch correction to proper mixing, Bass enhancing to stereo imaging & parallel compression, Dynamic expansion to limiting & maxiimization for a final master piece.

You get everything in a single package which is worthy enough to come up with your radio ready quality sound.

Steps for Mixing & Mastering

Adding Markers 

Removing Clips, Clicks, Pops, Disturbance etc if found any

Fades, if required

Gain Staging, Panning, Automation

Balancing every track and clip level for audible mix 

DeEssing, EQ, Compression, Gating, Expander 

Parallel buss compression

Side Chaining

FX – Reverb, Delay, Chorus, Flanger, Phaser etc

Tape Saturation for better harmonics

Stereo Imaging

Auto Tuning Vocals for Industry Type Correct Output

Analog Hardware Summing for Sweet Output

After Bounce, Listening Track on Different Sources for Corrections

Finally, Bounced Mono & Stereo Track is your Final Mix

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Noise Reduction
Linear Equalization

Bass Enhancing
Tube & Parallel Compression
Mastering Reverb
Adding Ambience
Stereo Widening
Dynamic Expansion
Fades & Crossfades
Peak Limiting
Maximization
Analog Summing Mastering

Text/ISRC Encoding
Complete CD Mastering

Dithering

Final Bouncing track in Stereo, Mono – Wave & Mp3 Format

Things to Remember

  • Please specify Name & BPM along with your project stems

  • Keep all stems intact & consolidate in same measure

  • No dithering and normalizing

  • Please be careful with your bounced tracks/stems, they should no clip or distort and should be loud enough till -2 to -6db

  • This plan limits of 40 stems in a project (additional stems will cost $3 per stem)

Important

To make your mix and master track compatible for iTunes upload, your stems sample rate should be at least 24 bits and 96KHz in wave format. These settings make your mastered track sound exactly the same in every live streaming site and devices, as it sounds in a studio before bouncing or exporting to Wave or Mp3 format.

If your audio interface/sound card is unable to record your tracks to this much of sample rate, then try to record your project to 24 bits & 48KHz sample rate. That will also result to a great mix.

(Conversion of lower sample rates to higher will still sound same as dull and will result in degraded sounding Mix & Master).

Plugins

  • Waves Plugins
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  • Slate Digital plugins

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  • Universal Audio Plugins

Hardware

  • ART Pro VLA II – Compressor

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  • ART EQ 355 – Graphic Equalizer

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  • API 5500 – Dual equalizer

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  • BAX EQ – Parametric Equalizer

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  • M100 – Multi Effect Processor

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  • SSL - Fusion

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  • MBox Pro – Soundcard & AD/DA Convertor - 24bit/192KHz

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